Gideon Lester, the Fisher Center’s artistic director for theater and dance, spoke with Marden about the canvases that form the set design. [email protected] Brice Marden: Four Quartets. purchase tickets at, 2017 exhibition at Gagosian, Grosvenor Hill. Gagosian will present Georg Baselitz: Years Later, which documents a recent exhibition of new works by the artist at Gagosian, Hong Kong; an exhibition catalogue on Brice Marden’s latest paintings and works on paper, which continue the Letter series he initiated in 2006; and Mary Weatherford: I’ve Seen Gray Whales Go By, which documents the artist’s 2018 exhibition at Gagosian, New York, featuring large paintings onto which neon light tubes are attached. Featuring paintings and works on paper, Marking Time explores how drawing attention to the creative process fosters a distinctively empathetic mode of engagement. The Mardens' daughter, Mirabelle Marden, was a proprietor of Rivington Arms, an art gallery in New York. Brice Marden is available for online reading from October 11 through November 9 as part of the From the Library series. For more than a decade, Marden carried a workbook with him, as he developed a series of abstract drawings based on a geometric or gridded background. Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public. Brice Marden: It reminds me of something, and I don’t know what it is. [6] Today, the artist keeps a Manhattan studio in a 10th-floor[3] penthouse duplex on West Street with around 5,000 square feet of space and one two-story window looking onto the Hudson River. He lives and works in New York City; Tivoli, New York; Hydra, Greece; and Eagles Mere, Pennsylvania. Nicholas Brice Marden, Jr. grew up in a middle-class household in Briarcliff Manor, in Westchester County, New York, and his interest in art was influenced from an early age by a multitude of sources. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018. Georg Baselitz: Years later (New York: Gagosian, 2020). Four paintings by Brice Marden have been incorporated into a new dance commission based on T. S. Eliot’s Four Quartets, with choreography by Pam Tanowitz, and music by Kaija Saariaho. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure. She is also a photographer. facsimile of Marden’s original workbook, published by Gagosian, purchase tickets at culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. New texts by Paul Hills and Noah Dillon, and a conversation between Marden, Gary Hume, and Tim Marlow examine this new body of work from multiple perspectives. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brings together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. A visit in 1984 to the exhibition Masters of Japanese Calligraphy, 8th-19th Century, encouraged Marden to use form, a predominant influence in his recent work—which can be seen in his acclaimed Cold Mountain series, both paintings and works on paper, 1989-1991. At its center is a stately 1843 main house on a cliff overlooking the Hudson River. Marden's graphic works are a corollary to his paintings, and he would transfer ideas into even his most recent paintings and drawings. . [13] Other solo exhibitions include “Brice Marden: Cold Mountain” Dia Center for the Arts, New York (1991, traveled to Walker Art Center, Minneapolis; the Menil Collection, Houston; Museo Nacional Centro de Arte Reina Sofia, Madrid; and Städtisches Kunstmuseum, Bonn, Germany) and “Work Books 1964–1995,” Staatliche Graphische Sammlung, Munich (1997, traveled to Kunstmuseum Winterthur, Switzerland; Wexner Center for the Arts, Columbus, Ohio; Fogg Art Museum, Harvard University, Cambridge, Massachusetts; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Miami Art Museum; and the Carnegie Museum of Art, Pittsburgh). In his early work of the 1960s and 1970s, he used simplified means, typically monochrome canvases either alone or in series of panels, diptychs or triptychs. November 13–15, 2020Huashan 1914 Creative Park, Photo: Paul Hester, February 29–September 13, 2020 Menil Collection, Houston 2.2K likes. That same year he had his first solo show in New York at the Bykert Gallery, which exhibited the first of his classic oil-and-beeswax paintings. To attend the event, purchase tickets at As he paints in layers, Marden scrapes away at excess paint on the surface of the canvas, diffusing his lines and allowing a complex play of color, weight, and distance to develop in the pictorial space as he works the canvas deeper into abstraction.


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